Jim's deep, diverse writing background includes script coverage (Okay Goodnight), copywriting/copy editing (The You Rock Foundation), audio drama (SCAD Radio), and screenwriting (Filmwrks). Yet, these seemingly disparate strands are connected by a single, unifying interest in narrative. Specifically narrative as a means of self-examinatio
Jim's deep, diverse writing background includes script coverage (Okay Goodnight), copywriting/copy editing (The You Rock Foundation), audio drama (SCAD Radio), and screenwriting (Filmwrks). Yet, these seemingly disparate strands are connected by a single, unifying interest in narrative. Specifically narrative as a means of self-examination. Whether through his meticulous filmmaking tutorials (Pond5) or granular audio essays (An Invitation Productions), Jim is always seeking the universal by way of the specific.
An Invitation Productions sprung to life with a formal exploration of Karyn Kusama’s masterpiece THE INVITATION (2015) titled––what else?––“An Invitation to THE INVITATION.” 🟣 The limited series remains a unique narrative/critical hybrid that is as meticulously scripted as it is produced, using Kusama's film as a means of highlighting ci
An Invitation Productions sprung to life with a formal exploration of Karyn Kusama’s masterpiece THE INVITATION (2015) titled––what else?––“An Invitation to THE INVITATION.” 🟣 The limited series remains a unique narrative/critical hybrid that is as meticulously scripted as it is produced, using Kusama's film as a means of highlighting cinematic craft alongside rigorous self-inquiry. 🟣 This fascination with audio drama married to the aural essay format continues with the series “An Invitation to DESTROYER” – centered on Kusama’s 2018 neo-noir, originally starring Nicole Kidman. 🟣 Consider yourself invited. RSVP now.
Jim has been storyboarding professionally since 2012, rendering pre-visualizations for film, television, music videos, and shorts. Brand clients include the New York Yankees, Jeep, Spectrum, and many more. Additionally, Jim has worked with acclaimed directors Carlos Lopez-Estrada (Raya and the Last Dragon) and Joe Sill (Apple, NASA) among
Jim has been storyboarding professionally since 2012, rendering pre-visualizations for film, television, music videos, and shorts. Brand clients include the New York Yankees, Jeep, Spectrum, and many more. Additionally, Jim has worked with acclaimed directors Carlos Lopez-Estrada (Raya and the Last Dragon) and Joe Sill (Apple, NASA) among others. Notably, Jim has also illustrated and designed cover art for revered polymath Saul Williams and globe-trotting DJ Maceo Plex.
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